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Some activist photographers use shock and guilt as tools to bring attention to the plight of the natural world. Equally dismaying are photos depicting pristine images of Nature at its most beautiful, which can leave the viewer with the mistaken notion that all is well.
Harnessing the unique qualities of infrared photography, Hobart creates images reminiscent of old Victorian lithographs by artists like Thomas Baines (Africa) and Thomas Moran (the American West) during the late nineteenth century.
Hobart’s images evoke a haunting nostalgia for a bygone era by transporting us to a time to when animals roamed freely. His work challenges us to give the overly stressed wild areas the space to heal as we learn to reestablish our coexistence with the natural world.
Hobart believes we never fully experience life without first getting close to nature. He implores us to tread lightly where we walk and listen carefully to all the plants and creatures around us.
“Each of us must acknowledge that we must share this beautiful world with all its inhabitants or lose it.”
— Graham Hobart
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